Harp Origins
A harp is a chordophone. The vibration of strings echoes in the sound
box and makes the sound. There are three basic forms of harp: bowed,
angle, and frame. On all three forms the strings run, at an angle, between
the neck and the resonator (or body). The strings, neck and resonator
roughly describe a triangle. The bowed harp has a neck that is a curved
extension of the resonator. This is the oldest form and is believed
to have developed from a musical bow. Ornate and simple bow harps were
depicted in wall paintings of ancient Egypt and Sumeria from 3000 BC.
The angle harp has a neck that is a separate piece attached to the resonator.
This form is most likely derived form Persia and was known in Egypt
ca. 2000 BC. In Babylonian carvings these angle harps are shown being
played with the neck pointing down. The frame harp has the resonator,
neck, and an arm connecting the end of the neck to the opposite end
of the resonator. Our Celtic rosewood harps are frame harps. This form
originated in the Medieval Period. With only slight modification in
style, the Celtic harp has not changed significantly in over a thousand
years.
Our Celtic Harps
Our harps have decorated rosewood frames & mahogany
plywood soundboards. We offer a one-year warranty on the
frame and 5 years on the soundboard (except on kits). Sharpening
levers are not on strings shorter than 6". All instruments
come with a tuning tool. All Celtic harps come with an
extra set of strings and are color coded; red for "C" and
blue for "F". New harps normally need to be tuned
several times before they are functional. The more they
are tuned and the older they are, the brighter the sound becomes.
Our harps are made in our facilities in Pakistan.
The nylon strings are made in the USA by DuPont.
Pakistan has this beautiful wood in the rosewood family called sheesham
delbergia. It is easily machined and is very forgiving
in various weather conditions. It rarely ever cracks,
except when thrown by package delivery carriers!!!
InstrumentalSavings.com offers six styles and sizes of Celtic
harps. The sound quality of our rosewood harps offers an unsurpassed
value. Each of our six styles of rosewood harp is richly adorned with
carvings and inlays. The mahogany soundboard and backboard compliment
the natural hues of the rosewood. The soundboard is constructed of
mahogany plywood for added strength. Our soundboards carry a five-year
warranty and there is a one-year warranty on the frames. Each Harp
is shipped with a tuning tool and one replacement set of strings.
Optional cases and instructional material are available.
Description Of Celtic Harps
The Lily harp is our only harp that is not intended for true
musical play. It is a beautiful harp perfectly suited for home décor.
You can achieve limited tunes from this harp. It has 8 strings and one
full octave. This harps includes a tuning tool.
The Baby harp is our smallest functional harp. Although, only
21 inches in size, this harp is designed to be played. There are 12
strings and 1 ˝ octaves. It is perfect for a child, but the more accomplished
harpist will enjoy this small prize.
We have two styles of Pixie harp. Both are 31 inches and have
19 strings. The style with a small foot is free standing. The style
without a foot is held in the lap or rested against the shins while
seated. This style, without feet, is reminiscent of the original medieval
Celtic harps. Both are beautiful. They may be stood, or laid on a table
as a décor piece. With 2 ˝ octaves, the Pixie is the perfect size for
young students.
Our Heather harps are very popular with beginners. The Heather
is a mid-sized harp, standing 36 inches tall. It has 3 octaves with
one octave below Middle C. This provides a great deal of playing range
for the beginner. This size is also easily carried by younger players.
The Minstrel Harp is for the more accomplished harpist, but,
is also a great decor piece, standing 38 inches tall. It has a large
range of notes, 4 octaves, and a full resonating sound. While this harp
is easily transported, its size may make it difficult for a young student.
The Meghan Harp is for the more advanced player. On its two
feet it stands 51" tall. The highly decorated frame brings beauty
and elegance to any room. Its 5 octaves allow a range of song styles
to be played. This is often the harp played at weddings.
Seconds & Kits
The Blemished "-2" code means that there is some esthetic
irregularity. This may be blisters in the shellac finish, a mark on
the soundboard or backboard, or some other mark on the surface. The
blemished 2nd quality harps have 1st quality sound and playing ability.
Some may be improved by rubbing with 0000 steel wool and furniture oil,
or they can be sanded and re- sprayed with shellac.
The Repaired "-3" code means that some aspect of the harp
was broken, usually during shipping, and has been fully repaired. These
repairs may be a foot but are usually the arm. The repairs are excellent.
A broken arm that has been repaired with a steel rod is like a healed
broken bone, stronger than before. Our carpenter does a magnificent
job and the repairs are minimally visible and do not affect the sound
or playability of the harps.
The Kit "-4" code is a Heather harp with a broken soundboard.
We supply the harp and a new soundboard and the directions to replace
the broken one. Anyone who likes woodcrafts, or is good with pliers,
a sander, and has moderate skill should find this a weekend project.
We supply the detailed directions. This is a great value.
The Broken Arm "-5" code is a harp that has had the arm
broken, usually in shipping. We supply the harp and the directions to
drill the arm and insert a threaded steel rod. Again this requires moderate
skills in woodcrafts and perhaps a bit of confidence. This is also a
great value. The arm once repaired is stronger than before and the repair
should not affect the sound quality.
Harp Table of styles, sizes and ranges:
| Lily Harp™ |
15" |
8 strings |
C above Middle C to High C (no
sharpening levers) |
| Baby Harp™ |
21" |
12 strings |
F above Middle C to High C (no
sharpening levers) |
| Pixie Harp™ |
31" |
19 strings |
F below Middle C to High C |
| Heather Harp™ |
36" |
22 strings |
C below Middle C to High C |
| Minstrel Harp™ |
38" |
29 strings |
C below Middle C to C above High
C |
| Meghan Harp™ |
51" |
36 strings |
C two octaves below Middle C to
C above High C |
To reduce the chance of damage during shipping, we remove the stress
on the soundboard by de-tuning our harps. For this reason a new harp
will require tuning several times before it will achieve its full voice.
In the first two weeks you may find you have to tune the harp multiple
times each day. This process slowly brings the soundboard up to its
full potential. The stability of the soundboard increases with age.
Have patience with your harp in the beginning and it will provide you
with years of beautiful music.
Care & Tuning Instructions for
the Celtic Harp
Our harps travel well over short trips- say in the car. However, if
you have to pack the harp to ship it, you should always back the pegs
up and remove the strings' tension on the soundboard. Harps are affected
by the environment, but mostly by fast fluctuations in the humidity
level and temperature. If the humidity is high, or low, and stays that
way your harp should be fine. You need to understand that when you first
acquire a harp it needs to be tuned several times a day for the first
week or so. This gradually stretches the harp soundboard and eventually
your harp will find its voice.
When tuning, always work from the longest to the shortest
string. Begin by tuning the ‘C’ strings (color coded red).
Next, tune the ‘F’ strings (color coded blue). Finally,
tune the clear strings, always from longest to shortest. This method
of tuning stretches the soundboard in a very even manner. As you turn
the tuning peg gently push inward to tighten the peg. The pegs are tapered
and will hold more firmly as you press inward. Use a piano or electronic
tuner as a reference for tuning.
Bridge pins are directly beneath the tuning pins. These
bridge pins are loose in their holes. They may need to be adjusted so
there is ample lift to the string on the sharpening lever for a clear
tone. Push or tap bridge pins for more string lift. The sharpening levers
are mounted below the bridge pins. Sharpening levers may be adjusted
for fine-tuning after the soundboard achieves stability. Raising or
lowering the sharpening levers makes the key sharp (i.e. C becomes C-Sharp).
There is a lot of pressure on the soundboard and framed when the harp
is tuned. To reduce the potential for shipping damage, all harps
are shipped untuned.
When tuning your harp for the first time, start with the shortest string
in order to get on the correct octave. You may want to tune it a half
note sharp so it stays in tune longer. After the first tuning, begin
with the red strings from longest to shortest. Next, tune the blue strings
from longest to shortest. Finally, tune the clear strings from longest
to shortest. This method of tuning stretches the soundboard in a very
even manner. Push the tuning peg inward as you tighten the strings.
The pegs are tapered and will hold more firmly as you press inward.
Use an electronic tuner or a piano as a reference for tuning.
A new harp requires many tunings before it stabilizes. Harps
stay in tune longer and become much brighter (better sounding) with
age, usually 3-4 months.
All harps have two big idiosyncrasies which nobody has been able to
eliminate. A term referred to as "associated flex" means when
you tension a string you cause a flex in the thin soundboard, which
in turn reduces the tensions on all other strings. This is very evident
on a harp that has never been tuned. Theoretically a harp can never
achieve absolute perfect pitch. A harp is considered stable when this
flex causes a pitch change that the ear can not detect. If you have
perfect pitch a harp will drive you crazy. The arm flex is so minor
that it is not considered.
In the harps from InstrumentalSavings.com, it takes about 3 months, just
as with any other harp, to start to get its "voice". In about
a year the harp will sound inspirational.
The second issue is defined as "flex memory". A tuned harp
without being touched will lose memory, resistance, and pitch in its
soundboard because it is wood. Only with constant tuning does the flex
memory increase. Harpers have an old saying; "You spend half your
life tuning the harp and the other have playing it out of tune".
Yes, they are 1/2 inch apart.